Wednesday, January 19, 2011

011. Bowling for Columbine

You can watch the trailer here

Should a documentary have an opinion? Or should it just showcase facts? I've never actually taken a film studies course and I majored in biochemistry before studying Journalism, so I will admit that I do not know the answer. From what I have learned in Journalism classes, there is no way anything can be unbiased. The best you can be hope for is to be as close to the truth as possible.

That being said, I don't think Michael Moore every loses sleep over the fact that his portrayal of the story may be considered biased or slanted. In fact, I think he enjoys that. The sort of smug sarcastic way in which he phrases his (open ended!) questions comes across–at least to me–as soaked in Moore's feeling of superiority to the "blue collar." I guess he probably is smarter than a lot of them, but I've never been a fan of people talking down to others. How does he get these people to talk to him? It just seems unnecessarily rude.

An interesting characteristic of Moore's Bowling for Columbine is that he makes the story very personal. He mentions when talking about Charlton Heston, that they grew up in neighbour towns. When interviewing acquitted terrorist James Nichols, he points out that they graduated the same day. From all the pictures and video footage he shows in the beginning of himself as a child using guns, it is clear that the story is very close to his heart. Perhaps it's that honesty and authenticity that makes this Moore documentary a lot more tolerable than his other efforts. It's actually a bit sad that I dislike this man so much, when I agree with almost everything he's trying to say. The medium is just the message sometimes. Good ol' McLuhan.

Watching it today (as in recently and not actually today), also gives it some more depth and gravitas considering what just happened in Arkansas with Gabrielle Gifford. In fact, since the midterm elections Rachel Maddow has been trying to highlight this weird crazy attitude some tea party candidates have been preaching. They all bring up the second amendment and the right to arms as some sort of way to force your way when democracy doesn't seem to work. Force instead of reason? Didn't the US just bomb Iraq for that? In any case, it's a theme that is repeated often, and how could it not be when gun control laws are the main focus point. As Nichols puts it when asked about his weapons: "When the government turns tyrannical, it is your duty to overthrow it." I guess the problem is always tyrannical according to whom?

Columbine does have some very strong moments, of course. Particularly, when Moore heads to one of the Columbine shooters' hometown and meets two of the local youth: Brent and DJ. After Columbine, DJ was put on a list of people suspected to be dangerous. The weird part is that what offends him is that he only made number 2. An expert at cooking up bombs using the (now) famous Anarchist Cookbook, DJ wants to be number 1. I guess the part that struck me as sad was when he mentioned that he wants to be number 1 at something. That's the problem with small towns. There are not a lot of opportunities out there. I hope that is something that people that live in bigger places never take for granted.

Another moment that stood out for me was when they interviewed Marylin Manson and South Park's Matt Stone. I wasn't surprised in the slightest but both of them came across as smart, kind and compassionate. Probably not something that is always assumed of them. I'm glad Moore decided to give them screen time.

Does Columbine really achieve anything? I don't think so. I think Moore is so abrasive with his opinion that the only ones that could sit through his documentaries are those that agree with him in the first place. Which is fine and dandy, except who is he really informing then?

Should guns be controlled? Of course. It's just as Nichols says (talking about nuclear arms, but it still applies!):

Moore: "Should you have the right to have it?"
Nichols: "That should be restricted. There are wackos out there."

Not recommended, unless you really like Moore.




Monday, January 17, 2011

010. Ratatouille

Ab 3, Oktober! I'm guessing that's a day
before my birthday. Cool international posters.

Watch the trailer here

Ok, ok. I have been slacking. I apologize. I am trying to actually get this going again. Granted, it will require a lot of work and effort on my part. I have watched ten movies from the list since I started this project half a year ago. If my math is correct (and thanks to some hardcore math-loving asian genes in my genome, it usually is) that means I have to watch one hundred and seventy-ish movies in the remaining half of the year. Sounds possible! I like challenges, anyway.

So, back to the movie. It's hard to review a Pixar animated movie. Not because it's particularly challenging to watch, but the idea of coming up with something insightful or novel (especially when you are reviewing a movie that is close to 4 years old) seems a bit ludicrous to me. Everyone knows that it was a good movie. Even those weird people that don't like Pixar movies and would rather watch Bee Movie or Over the Hedge. I mostly mean my friend Jayme. In any case, Ratatouille is (you guessed it!) awesome.

One thing that detracts from the movie is the plot. Ratatouille tells the story of a young rat named Remy that embraces being different and being special, as opposed to being one more of the pack. Not that it is a bad idea, or sends a bad message but it's been done before, no? If I'm not mistaken it's the exact same plot of Jonathan Livingston Seagull-- or Juan Salvador Gaviota, as it was known to me. Weirdly enough, I once read a book that was also a rehash of JLS but with dolphins. I'm not entirely sure how that got published. Anyway going back to Ratatouille, it's definitely a plot that's used often because the message is important and rather timeless. Be yourself. Be great. As Dr Seuss would say "Today you are you, that is truer than true. There is no one alive that is youer than you." I guess I just think that when compared to Up or Wall-E, it falls a little short. To be fair, I'm probably doing it a huge disservice by watched it after Pixar's latest hits. It was made before those movies and they have probably grown since then.

On a completely illogical level, another minor gripe I had with this movie is Patton Oswalt. I'm sure he has his fans and some people find him funny. To me he is and will always be that small guy from King of Queens. I'm not much of a Kevin James fan and anything related to him, automatically (and unfairly) loses points.

Don't get me wrong, there is still plenty of excellence in this movie. The animation is spectacular from the facial expressions on the rodents to the beautiful Parisian background that is peppered throughout the movie. It really is awe-inspiring to see how much animation has developed in recent years; Pixar, of course, being at the forefront of that pioneering.

It had cute little strokes of genius here and there, like having Remy control his human friend Linguini by pulling his hair. The man is now the horse and the little rat is the jockey. The scene where Remy's family of rats fall from an attic is both the most disgusting and the most exciting scene I've seen in a while. It's rather eerie how real it feels to see a bunch of animated rats fall from the roof.

Overall, it is a very strong effort by Pixar. It won't ever be remembered as their best movie, but it's hard to imagine someone not liking this little gem.

Recommended, unless you are grossed out by rats.